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Movement Production by Jerome AB, 2025
DOOM: house of hope
presented at the Park Avenue Armory, curated by Klaus Beisenbach
director: Anne Imhof
production lead: Nadja Rangel
direction assist: Eliza Douglas
artist assist: Gato
choreographer: Josh Johnson
scenography: Niklas Bildstein Zaar, Sub
lighting design: Urs Schönebaum
music direction: Ville Haimala
sound design: Mark Grey
costumes by Eliza Douglas
Movement Producer: Jerome Austin Bwire
live feed: Tess Petronio
photography by Nadine Fraczkowski








Choreography, Creative and Movement Direction by Jerome AB, 2023
SWIMWEAR 23 PRESENTATION
at the Palm Heights, Grand Cayman
Client: Ludovic De Saint Sernin


Creative Direction and Scenic Design by Jerome AB, 2023
‘RED MOON IN VENUS’ TOUR
COACHELLA 2023 MAIN STAGE
Client: Kali Uchis











Directed by Jerome AB, 2022
’Fiend’ by Keaton Savage
Starring Keaton Savage, Kellian Delice and Tate Justas
Director: Jerome AB
Cinematographer: Maddy Talias
Assistant Camera: Kendall Edwards
Gaffer: Sam McDermott
Playback & Swing: Kinlaw
Styling & Costume Design: Jacquelinne Cingolani
Edit & Color: Alex Russek
Title & Credits: Quincy Banks


Stage Direction, Choreography and Curation by Jerome AB, 2022
The Iconic Ball Performance Dinner
Client: Palm Heights, Grand Cayman
An immersive dinner experience and party with performances by Eartheater with Yves Tumor, Shygirl and Lourdes Leon’s first live set. Documented by Daniel Arnold.










Directed and Choreographed by Jerome AB, 2022
’Turn the Table’ MV by Empress Of
Client: Empress Of
Director: Jerome AB
DP: Bruce Gordon
Drone Operator: Sheila Eden
Production Design: Charlotte Crocker
Choreographer: Jerome AB
Stylist: Chris Horan
Editor: Alex Russek
Graphics: Hernan Ayala Tirado
Special thanks to Gerardo Gonzalez and Palm Heights, Grand Cayman



PRODUCTION DESIGN BY JEROME AB, 2022
FREQUENCY PRESENTS A SUNDAY DINNER
Client: Spotify
Director: Keenan MacWilliam
Talent: Victoria Monet, Joyce Wrice, Guapdad 4000, Vince Staples, Hit Boy and Duckwrth




Installation, video and soundscape by Jerome AB
At Once Terrifying and Equally Freeing, 2021
4-channel video, brushed aluminum, found debris, sound
8’ x 12’H
Video: 07:49 min
Score: 20:00 min
Director of Photography: Maddy Talias
Gaffer: John Izaparte
Video Editor: Matthew Delatorre
Sound design: Killian Brom with support by Brian Bryne
Vocals: Eartheater
Strings: Jasminfire
Movement performed by Morgan Bobrow-Williams and Quenton Stuckey
Shot at Greenwood Studios, Brooklyn, NY
Jerome AB’s At Once Terrifying and Equally Freeing (2021) is a mixed-media installation, movement video, and soundscape.
A case study in surrender, the work consists of an artifact, once buried beneath compounded terrain, now displayed within the museum walls. Its provenance unaccounted for, the 12’ high metal structure operates like a time capsule, nestled in excavated ground.
Inside the enclosure is a three-dimensional video file, attempting to relay a psychological unraveling captured in real time. Past glitches of lapsed memories, the video’s subject comes to a road diverged.
In one instance, we can choose to find comfort in the cards we have been dealt, to live life on life’s terms. In another, our circumstances can feel like they are closing in on us, with the only option left to fight.
What starts as one figure, splits, and fragments into a multiplicity of being. At Once Terrifying and Equally Freeing explores the existence of two seemingly opposing truths that can co-exist as one reality.
Set to a deteriorating meditative score, a self-help spiral featuring multi-instrumentalists Eartheater and Jasminfire, AB’s At Once Terrifying and Equally Freeing explores what it means to relinquish control and to find courage in faith.
Jerome AB’s At Once Terrifying and Equally Freeing is organized by Puppies Puppies (Jade Kuriki Olivo) as
part of Toby’s Prize.
1/30-6/5/2022



Interior Architecture by Jerome AB, 2019
Roc Nation LA Offices
Client: Jay-Z, Roc Nation
Creative Director: Willo Perron
Lead Interior Architect: Jerome AB
Interior Architect: Jerome Byron
Interior Designer: Lindsey Chan
Photos by Shade Degges as featured in Architectural Digest








Ongoing Performative Series and Audiovisual Practice by Jerome Austin Bwire
Masculine Ken on the Secret We Share, 2018
With spoken word by Precious Okoyomon, illustrations by Neil Gilks and Katie Armstrong
In an attempt to heal, Ken loses his digital self in a maddening research spell on stigmas around mental illnesses, inflicted upon/within ourselves in poc communities and by the other; ~white professionals~ resting on the laurels of institutionalized racism, to sift through the truths found in the misinformation of overstimulation, toxic masculinity, prayer and balance.
Length: 14:30
#MASCULINEKEN is an ongoing performative series featuring an expressionless humanoid character of unintelligible African origins portrayed by Jerome AB and extensions thereof, all dubbed Masculine Ken. In these pieces, Masculine Ken observes and confronts various psychological defense mechanisms, processes and falsified intrapersonal realities defined by (in)human(e) exchanges through movement and visual audio manipulation.
Masculine Ken on the Secret We Share v.3 was presented as a short film curated by Alima Lee for the Women’s Center of Creative Work’s ‘Films For Escapism‘ series in response to the first Covid-19 lockdown of 2020. The series also included films by Featuring works by Sarah Nicole Francois, summer fucking mason and Rhea Dillon.
Masculine Ken on the Secret We Share v.2 was presented as a live performance and screening at Navel in Los Angeles as commissioned for the 2018 Queer Biennial.
Masculine Ken on the Secret We Share v.1 was presented as a live performance in a storefront window on Sept 27, 2017 at Catinca Tabacaru Gallery in New York City.




